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The Mutilator has earned a reputation amongst horror fans as one of the 'holy grails' of 80s splatter mayhem due to its highly inventive (and not to say
@HIGHMYNAMESRYAN
Terrence Mann
Shot entirely on 16mm and featuring a hypnotic synth-driven score
Corey Feldman (The Lost Boys
Vivre sa Vie (#512) USED True Crime The Mutilator has earned aJean Luc Godard and the French New Wave were at the height of their power and creativity when Godard released Vivre Sa Vie (Living Her Life) in 1962. And watching it again, years later, instantly transports one to the era where an offhand remark, a lazy circle of cigarette smoke, a sidelong glance, a disaffected "I don't care about you" could all communicate deep, conflicted longing, alienation, postwar malaise, and infinite possibility. In fact,
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