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with three upper storeys of round-arched windows
holding an umbrella
Both the round shape and composition are indebted to Raphael's Madonnas
He may have turned to kitchen subjects on his admission to the Academy in 1728 to distinguish himself from artists such as Desportes and Oudrey who specialised in game and hunting pieces
Burne-Jones probably used William Morris's Earthly Paradise as the source of this subject
Compositional Study of Harvesters in a Landscape Size:large with three upper storeys of
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