Strymon CloudBurst Flexible Reverb Pedal Alto Saxophones Reinhold designed the Ecstasy blue

Reinhold designed the Ecstasy blue pedal with four discrete Class A gain stages and with no op-amps or diode clipping

Existing de-reverberation strategies either manipulate signal dynamics

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians

Their developers came up with a keyboard that is both intuitive for the beginner and versatile for the professional

Each stage of an amp’s circuit has been measured and matched back to the original

Strymon CloudBurst Flexible Reverb Pedal Alto Saxophones Reinhold designed the Ecstasy blueIts rare, but sometimes a single pedal has the ability to transform the way that we think about a type of effect. The new Cloudburst from Strymon is just such a device, taking ambient processing to the next level by offering a powerful reverb algorithm that can go from authentic smaller room sounds all the way up to near infinite Cloud decay. Coupled with the powerful ambience processing is a brand new Ensemble engine, capable of creating organic pads