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in heavily worked strokes of gentle colours
a year after van Gogh had moved to Paris from his native Holland
appears in the horses' trappings) and the idea here of a hunt by night is playful or symbolic rather than realistic
The tall building on the left was converted into Pissarro's studio when he bought the property in 1892
The buildings are
Wooded landscape: a Woman walking with a Dog Rowlandson in heavily worked strokes ofPresented by Esther Pissarro, 1951.
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