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calm and detached
Two houses with frescoed facades (nos 21-3 and 27) can be seen on the left
shows how Bevan's mature technique had developed into an angular style in which colour fused into broad masses of a subdued and subtle tone
was begun in 1886 but not completed until two years later
to the right is the Fontana di Madonna Verona
Le Nébuleux, dans l'etat du repos Frame:white calm and detached
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